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title interviews
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interview
 


Photographer
"All the genius of New York was connected to the cheap rents; the 99 cent breakfasts would keep artists like Lou Reed or Jimi Hendrix going all day."


     
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Illustrator, designer
"after thirty frames I thought, oh well, that’s more than enough, but with that you only actually fill a second and a half. It’s completely crazy!"


     
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Director:
"Second Life is as significant as the introduction of the first web browser."


     
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title designer:
"That’s one of my favorite stages - the research and design phase where we try to learn all we can about the film and its world."


     
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Ed Sayers and Nick Scott,
Event organizer and filmmaker:

"It's just a huge word of mouth thing that happened. Now we get to know all these new great people and we get to do events like at the Cannes film festival."


     
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filmmaker
"When you talk about graffiti many people automatically assume you are talking about vandalism and messy tags. The artists I chose in the film do much more than that."


     
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artist, animator
"it’s like… you know, when you’re bored and you’re just sitting around doing something and suddenly you wonder what the hell it is that you’re doing. Like lip syncing in front of the bathroom mirror when no one else is around to see you..."


     
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illustrator, animator, creative centipede
"Any good design lacks consensus, but in Japan it always finds such an extreme shape, and I often find that very beautiful."


     
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Renaissance man
"My father was an ornothologist. He dragged me out to the marches of Europe in gum boots with a pair of binoculars and a clap to my eyes, I hated it. All I wanted to do is go home and watch television."


     
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Patterson

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Gayeton

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  interview Pablo Aravena
  interview Han
Hoogerbrugge

  interview Fons Schiedon
  interview Peter
Greenaway

  interview Daniel
Rabinowitz

  interview DRIFTER TV
  interview Nakamura
Motomichi

  interview Lorenzo Fonda
  interview Craig Robinson
  interview Peter Hofstede